Pandemic reignites intolerance of the aged

I don’t know about other old folks, but I intend to keep rockin’, and so does my wife.

I used American Short Stories, a collection by Perfection Learning, to teach junior English back when I labored in the trenches of Arizona high schools. One story I favored was James Thurber’s classic about a meek man lost in a fantasy world. But I found that, with few exceptions, teenagers did not get “The Secret Life of Walter Mitty.” When a lone boy roared with laughter at reading it, I could have hugged him. Because by that time, I’d grown to expect a bland or even annoyed reaction to the humor classic.

I tended to use the questions at the back of each book’s story I taught, a page called “Responding to the Story,” to evaluate student appreciation. The returns on “Walter Mitty” bludgeoned my hopes for it. The students almost uniformly saw it as a depressing tale about “this old guy who’s losing it.”

“Old guy,” “old dude,” “old man” – that was their takeaway. Nothing about what Thurber put on the page: a henpecked (middle-aged!) husband who soars into realms of imagination that make him a hero, whether as a surgeon, a courtroom lawyer, or a fighter pilot. Hell, the onomatopoeia alone is worth the price of admission with writing this brilliant.

You can’t enforce enjoyment, and surprises are rife in the teaching business. I used Shirley Jackson’s “The Lottery,” which I never liked, to great student acclaim. Conversely, I should have become accustomed to kids not digging stories I adored. But this one hurt in a special way; it nagged at me. Even if Walter Mitty was “old,” in his sixties or seventies, did that make him an unsympathetic character? I sensed active disdain among the young readers, something beyond mere student dullness. A bias was at play.

Prejudice against the aged has survived the onslaught of woke rebuke, as Bill Maher said on his HBO show. Old people have been the most vulnerable to COVID, making us all mask up and suffer. Old people hog the public trough with their nagging Social Security needs. Old people constitute a bigger and bigger part of the populace, expect a bigger and bigger piece of the pie. Go die and get out of the way, old people.

We’ll never have herd immunity because of shot antagonism, and part of that is based on prejudice against old people. The CDC said if we’re fully vaccinated we needn’t mask up, not if we don’t want to, and needn’t feel guilty about it. I will show up at Walmart next shift without the cursed mask, which I always had to take off to scratch or blow my blasted nose. Walmart even offers an incentive: if you want a $75 boost to your paycheck, show us you’ve been vaccinated. I sense at least half the workers there haven’t gotten shots. To a large extent it’s Trumpian bullshit — the thing’s all a ruse to put Democrats in power, don’t you know.

Among the youth, the resistance is tinged with the abovementioned prejudice. Again, I heard a broadside against dreaded, hated old people, spoken with veiled venom by a young person, one I happened to like and still do! (They know not their own hearts, dear Lord.) We were working the dairy cooler, trying to get milks and creamers into the sliding slots leading down to the customers out there, when I heard Braylon tell another, older guy he wouldn’t get the shot. “It’s just something old people had to worry about. I’m young. I’m not gonna do it.” But I’m sure, what with the “honor system” Walmart feels compelled to use, that this young man will represent himself as having been vaccinated and, with no vaccination card to present, work unmasked.

I shouldn’t be surprised. When I took a “retirement” job at Walmart, I found the same intergenerational dynamic at play as I’d found in the classroom.

I grew to resent a sarcastic young man who, without realizing it, was speaking snidely to me, almost talking down to me. Me! a man in his middle sixties. I had thought the imprint of age merited respect, but not to today’s generation.

My gig starts before dawn. I got used to showing up in the wee hours when the night crew was coming down its home stretch. Drew, a tart-tongued young man, would be on the paper and chem aisle, where it might be my job to help him finish stocking the overnight freight. After a brief period of enjoying his sassy rejoinders and heartening, conspiratorial bitches about working at the store, I began to find something dismissive about him, even borderline insulting, in a way I couldn’t pin down.

Please break down your boxes. You’ll fit more in the baaaaaler …” he chided me in singsong as I stood over the rolling paperboard waste bin, beating my hands to pulp trying to collapse stiff double-wall corrugated containers that had held laundry detergent. Though I learned to wear work gloves to protect my hands, better wielding them as cutting blades and ripping claws, I remained offended by his mocking, suggestive tone, which implied not so much annoyance as absence of the need to defer to a man well into his sixties.

Was I “reading into” Drew’s manner because of my defensiveness and insecurity, even lingering emotional bruises from the way kids at the end of my “teaching” career regarded me? I worked the same kind of job as he. If he was treating me as an equal, so what?

But that was just it; that was the offense. Despite my failure at classroom management during those last, bad teaching years, I figured I deserved respect because I was old, had lived long, suffered long, learned much.

I know now I was naïve, my learning partial. If only the most forbearing and mature students were nice to me, that was to be expected. You’re good at that job, teaching at-risk youth, or you’re in the crosshairs.

But there was something more, something broader and more sociological, that explained the thing. A lot of these boys had no father figure. They came from households featuring a mother, her latest partner, and the kids. If the “father figure” is a stepdad out of prison with a swastika across his chest sharing a meth pipe with a 14-year-old, the myth of reverence for the elder male might go out the window. All across the socioeconomic spectrum, not just the white rural ghetto where I taught, the era of the nuclear family, and of some Norman Rockwell dad carving the Sunday roast beef, seems to have run its course.

Ah, what’s the use? I can kvetch all I want. My cohort and I will still die off and the young punks will take over.

I like to be optimistic though. Call it my brand of patriotism. I have to believe that today’s youth will acknowledge the secret weapon of the aged, their very years, and that young people will humble themselves to the lengthening shadow of mortality by whose lessons we learn how to live.

The Night I Became a Rock Star

This photo was taken by the Washington Post. It reminds me of me.

Watching a bunch of ignorant louts storm the Capitol on January 6, I suffered a sinking, eerie feeling that gnawed me worse than my revulsion at the violence being done my country’s shrine of government. I empathized with those self-described patriots; I related to these assholes fed a daily diet of Q-Anon and Trump’s own lies. Because for three decades of my life I was a similar schemer. I, too, dreamt of storming the stage.

This is about the one time I attained that stage and how it transformed me. It’s also about how it didn’t transform me, not until the sickness, impervious even to the prescribed catharsis, had to run its course, like some wounded tank slowly drained of petrol. On that day I realized that everything, the whole melodrama, had been about mere ego, just as that army of idiots may one day realize nothing was proved but their need to be seen.

To collapse a back story: after getting kicked out of Columbia University, I returned in the mid-seventies to my native Cleveland, where I discovered that my older sister’s friend, a gentleman named Roger Kleinman, played bass in Wild Horses, a rock band, launched in Columbus, that had moved up to Cleveland and were making a name for themselves. A “recovered” pothead who never went to bars, I went with Lisa to see them play.

I fell in love. And discovered the recreational joys of drinking. It was nothing for me to see the band play and dispatch a six of Miller Genuine Draft or Rolling Rock. Wild Horses represented to me whatever was rejuvenating, rebellious, and affirmative in rock ‘n’ roll.

 I was at the Pirate’s Cove every Saturday night. A rowdy Flats saloon adopted by bikers, the place had begun to resemble an S. Clay Wilson comic. Once, a fistfight raged around me while I sat up behind the sound man’s riser with Lisa, sublimely zonked on Seven and Sevens. I met a beautiful girl at the bar once and had a great time with her and would grow to wonder why I never called her again. For the most part I just got drunk and drove home. I collected a few DUIs during this period in my life.

It should have been all fun, but a sour syndrome of recrimination and worry began to pervade my nocturnal adventurings. An undeniable envy sprouted within me as I watched the band and drank. I fought off a sense I belonged on that stage with them but was too diffident to attempt such a thing. I would sink into worse, more private states of resentment and self-abuse at seeing one guy, as abandoned as I was inhibited, make a weekly ritual of getting up on stage Saturday nights to belt out “Johnny B Goode.”

The band’s hirsute, stocky singer, a toothy, clownish character, was a point of connection yet subtle mockery. When he wasn’t banging a cowbell or trying to play saxophone, he lent vocal credibility to such numbers as “Louie Louie” and “Eighteen” and would, from the stage, cajole the likes of me with the mid-set exhortation, “Get drunk and be somebody!” Maybe he had an arrangement with the saloon owners to help boost liquor sales.

I still just drank and didn’t do anything about my secret yen.

Wild Horses were dismissed by some as just another cover band, despite a flicker of at least regional fame with their quirky, reggae-styled little number “Funky Poodle.” I liked “Carbona Mona” better. I am given to understand that both originals sprang from the pen of guitar player and singer Steve Jochum, to whom my then-girlfriend ascribed the only star potential on the Wild Horses stage, amply demonstrated on that little pop-rock number with its predictable progression of chords.

Much of the appeal of Wild Horses resided in their fealty to the classics as well as recent radio hits they made their own. They did Santana, Stones, Beatles, Bowie, Kinks, Allmans, Skynyrd. The more I drank, the more I got swept up in the sense I was with them, which was fine, but this always morphed into a nagging conviction I had to do something about it.

I was of the same psychic stuff as Mark David Chapman or any of those people who assumed, or strove to assume, celebrity status through an act of violence.

I was and am a writer. I cannot help but write. I never felt that way about music. I threw off early classical piano lessons when I discovered marijuana and the Beatles’ double white album. (My dad clouted me across the jaw when, smirkingly stoned, I headed out the door to “party” rather than wait for Mrs. Krausz to come over and try to get my tangled fingers around that Beethoven sonata.) In my adulthood, during my Wild Horses fan years, I piddled around on an electric guitar I bought for over four hundred dollars and played along to Some Girls down the basement before I sold it to some kid who riffed chords on the thing and made a cutting remark about “having to work for it.”

And yet I kept going to see Wild Horses play, kept on aching to go up on stage, kept on telling myself I could do that. Sing. And kept chickening out. I’d veer toward the stage — before cutting over to the bar for another beer.

Why even have this stupid hang-up? I wondered in sober, self-pitying reflection. Many, many people stood around at the saloon swilling beers and listening. This did not palliate my conviction that I was a coward. I guess I thought I was special, I should do more.

The band cut a few albums that got regional airplay, even did some traveling. They kept on playing around town and there was Bobby Gitlin, still at it, still a fan, if disfigured by self-loathing.

There were aborted attempts to break out of my anonymity. Once I willed myself to proceed robotically onto the stage at the Sahara Club in Willoughby Hills and stood at the mike frozen, or pretending to sing, and when for weeks later some girl at the bar, who’d liked the look of me up there, kept telling me I reminded her of Springsteen it made me wish I had it in me to do it again, whatever it was I’d done. But dragging myself up there had depleted me. My revenge mission against nobodyness and failure remained but half waged.

I was in my thirties and forties, working jobs that located me squarely in the realm of lower middle class. By Achieving Jewish Standards of the era that produced me, I was a poor schlub laboring on the outskirts of anything resembling success. I could only afford some squalid apartment on the poor-person perimeter of Shaker Heights. I was a talented freelance writer, but most of my paychecks came from salaried sub-editor gigs for industrial magazines. That my craft must find inspiration in corrugated paperboard and vending machines did not sit well with this self-styled Kerouac, this would-be Salinger.

My therapist, to whom I’ve been talking about all this, tried not to smile when, remembering my life, I told her I’d thought my big problem at the time had nothing to do with entrepreneurial failure and living just above the poverty line but that I didn’t have the balls to get up on stage with Wild Horses. This silly hangup stretched on for half my adult life.

BY MY FIFTIES I’d moved to Arizona to teach high school. One summer I went back to Cleveland to visit. I spent an evening with Barb’s parents, who were, politically and culturally, the opposite of my liberal parents. I had some affection and gratitude for my mother- and father-in-law, and not just because Joe Chiancone had built a floorcovering business whose profits were already being distributed to his daughter and me as early inheritance. I felt at peace with these two working-class people as they sat in their den watching Larry King. Maybe that serene, almost drowsy feeling explains what happened.

After I excused myself, hugged Barb’s mom and shook Barb’s dad’s hand, I drove to Legacy Village, an upscale shopping plaza in Lyndhurst, where, on this balmy summer night, aging, never-say-die Wild Horses were playing outside. I didn’t drink anymore, having established sobriety and racked up several years of this as a new lifestyle.

I stood in the crowd loving the band. Tummler and self-appointed MC Roger with his between-song wisecracks as he stood there with his bass slung over his shoulders. Another bearded eminence, keyboard-playing ex-hippie Billy Buckholtz, who’d started the band and sang like Greg Allman. Jochum gone, replaced by one in a series of new guitarists. The ladykiller Italian drummer, Tony, gone into real estate. The bearded singer was still up there.

I stood in the little crowd enthralled, happy, reminiscing not without savor . . . when it occurred to me I still had those old thoughts. I still wanted to join them. And a new, fizzy calculation hit me: how easy it would be to do just that.

I marched through the light throng of mostly drunken frat boy types, up some steps, past an amp or two, sidled up next to Dennis (“Get drunk and be somebody!”) Christopher, stood behind a mike, and sang along best I could to “Honky Tonk Woman.” I think it was Dennis who handed me a tambourine or a cowbell, which I whacked with a will. I stayed up there for the next tune too. The band seemed glad to have me there, though I was miming some words. You’d have thought, having seen these guys seven thousand four hundred and thirty-eight times, I’d have them memorized.

They took a break and I got down from the stage.

Elated, I floated to my parked car, fumbled out my phone, and called Barb long distance. I gushed to her how I had done it. I had fucking done it!

She started to congratulate me, just as a call came cutting in and I had to get off.

“Where’d you go?”

It was Roger. They were going to start another set.

But I was so drained from having done what I’d done, I wasn’t sure I had the energy.

I have no memory of there being any continuance of Wild Horses with Bob Gitlin that night. I may have driven right home.

That should have been the end of this story. I wish it was. But it’s not.

Now I had something to prove. Had to do it again.

The next summer, they played Legacy Village again, and I made it a point to be in town again.

I drove around and around the place, got out and listened to the band, and chickened out. Began driving home, then castigated myself, pulled over onto a ramp off of Route 271, turned around and went back, chickened out again, and finally let myself go home to sleep at Mom’s.

Despite this, somehow singing had become part of my life.

I had wandered into an Arizona synagogue in an attempt to be Jewish, by which I mean I strove to unearth my birthright Judaism. I loved the rabbi, who took me in, fully understood my red diaper secularism, “got” that I’d had very little formal training in sung Jewish prayer, gave me a primer to learn Hebrew letters, even “conscripted” me (his joke) into the choir. I relished the spotlight, belting out the “Chatzi Kaddish” High Holy Days in yarmulke and fringed prayer shawl. Yet I was fully conscious this wasn’t the star mode I’d spent all those drunken nights contemplating. Bellied up to the bimah I manifested stocky pedantic Tevye, not yowling sinewy Jagger.

I flew back to Cleveland again one summer. Wild Horses were playing a big outdoors engagement during my stay.

They were playing outdoors to a huge crowd on a field by the Cleveland Museum of Art. Surveying the human sprawl, I quailed. This was fucking Woodstock! so unlike that Legacy Village parking lot opportunity with its accommodating gaggle of fans. But I steeled my resources and marched into “action.” I wended my way past people and speakers. The band was far off on that big stage. A mike near me was probably turned on. I parked myself behind it and yipped and growled to “Ain’t Too Proud to Beg.” Face burning, I left the stage right after the song, wanting to erase myself.

Roger told me on the phone next day, “Nobody knew you were there!”

We had dinner. I murmured something about still liking to sing. He said, not without a little acid, “Stick to the choir.”

My eyes fell on my plate. I felt ashamed, angry at myself for alchemizing one sweet magical moment into this sour end.

But that was the end of it, and in some tired region of my soul I must have been relieved.

ROGER is the big brother I never had as well as my longtime pro bono psychiatrist. I rarely call him to lament these days. Old age has knocked much of the mishigas off me.

But I had to call him a month or two ago for lawyerly advice about my wife’s and my will.

Soon as he saw my number flash on his cell, he picked up and cried, “More cowbell!”

After a startled moment I laughed, with happy relief. This greeting washed away the taste of his consigning me to the senescent temple choir, far removed from the soaring rebellion of Wild Horses.

“You know,” I said, “I will always remember doing that.” He knew I meant the good time, that magic solidarity at Legacy Village. “That was one of the most fun things I ever did.”

There was a pregnant pause, a moment of tacit brotherhood on the line, before Roger said, “Hey, at least you didn’t storm the Capitol.”

I chuckled obligingly, knowing what he meant, knowing all too well.

After I finally got off the phone with him, I found myself smiling bleakly at his remark.

A smile that widened as the days went by.

I Miss Real Republicans

Emily Proctor as conservative Republican counsel Ainsley Hayes in The West Wing (photo: Warner Bros.)

I voted for John McCain in 2008, praying he wouldn’t die and leave me with Sarah Palin.

In the gear-up to the election, I was sitting at my mom’s kitchen table talking politics with her and my sister, an ardent liberal Democrat. Lisa flew into a rage hearing I would vote for McCain.

“How could you do that?” she squealed. “What are you, crazy?” She said I’d gotten Neanderthal, I liked right-wing warmongers because of some inner rage best explained by psychoanalysis.

I let her blow off all her steam. You have to with Lisa or you’ll never talk.

“I’ll explain it to you if you want to hear,” I said.

She shut up.

“Okay. First of all, you may not know this, but he’s a very hip guy. Much loved by the media. John McCain is a truly personable man, and funny. Reporters love riding his bus.” I could have added he spent too much time on Sunday morning talk shows, but none of the bloom had come off the McCain rose for me. I still loved him for his brave proposal to fix immigration laws.

Lisa seemed taken aback by my opening salvo; she’d no doubt thought McCain stodgy.

“Now, on to his credentials. With all this terrorism and security threat after 9/11, I like the idea of a guy like him, a war hero, in charge. What’s Obama? Some little pisher who had a cup of coffee in the Senate and all of a sudden wants to be president.”

I said some other things, made some rational points. Lisa seemed mollified, at least by my ability to weather the storm of her proto-commie broadside with a sober argument.

Later, my mother got up next to me, took my arm and said, “Bob, I’m proud of you.” This from a woman who would vote for Obama. But she had raised an educated citizen, and that was more important to her than party affiliation.

I have always resisted identifying myself with either party, though I seem to have signed up as a Democrat. I get mail and ballots from the Democratic Party. But in the current horror that is American political and civic life, know what I miss most? A healthy Republican Party.

The GOP used to be the party of fiscal prudence and small government, of pulling oneself up by the bootstraps. I never was offended by the bullet points of the GOP credo. In fact, I secretly liked them.

I read in a column by Michelle Goldberg of The New York Times that we may be ending a half-century cycle begun by Ronald Reagan, if signs of Joe Biden’s ardent progressivism and willingness to spend money to get results are to be read aright. We might be starting a new cycle.

That’s saying a lot. It’s saying former Democrat presidents somewhat labored under the Reagan banner. But the theory holds up.

Bill Clinton made enemies in the union movement with NAFTA (I know, I did PR for the UFCW). He lost bona fides as a dyed-in-the-wool liberal when he tightened welfare laws and sentencings for peddling narcotics. But he was far-sighted about the global economy, domestic jobs, and public fears during the crack epidemic. One reason he smells so sweet in our memory, despite his failures (particularly that 1994 crime bill), was his willingness to coopt conservative arguments. A lot of ideas he wielded – ideas that subtly revivified the Democratic Party — came from the other side of the two-party-system aisle. They were Republican ideas. Back then, despite noxious Newt Gingrich, whose influence would metastasize into the political mutation of today, a fairly intact Republican Party helped check Democrat excesses.

There remains barely a vestige of that salutory system of bipartisan checks and balances. The big stars of the GOP are slimy personalities like Texas’s Sen. Ted Cruz, a political prostitute vying for Trump acolytes even after Trump de-balled him in the 2016 primaries. Or, the real loo-loo, Georgia Rep. Marjorie Greene, an avowed QAnon addict and hater of blacks and Muslims and Jews, a woman who called the Parkland, Fla., school shooting a ruse staged by Democrats to steal your guns, and who chased and taunted a student survivor of that shooting as he pounded pavements trying to tighten gun laws.

Core conservative Republican values are not antithetical to the values of good Democrats.

Some of the best moments in the NBC series The West Wing were when the liberal Democrat administration undertook to work with conservative Republicans, from whiz-kid think-tanker Ainsley Hayes, hired to help the legal team out of some pipe-cramped basement office; to the emergency president, played by John Goodman, a right-wing hawk who shunts Martin Sheen’s traumatized Josiah Bartlet aside after Eurotrash terrorists kidnap Bartlet’s daughter, and puts thing right; to Jimmy Smits’s newly elected Democrat president, in the swan-song season, offering secretary of state to Alan Alda’s narrowly vanquished Republican opponent Arnold Vinick.

Would that Biden’s promise could come true: that he, as with Reagan and Tip O’Neill, can reach compromises over a glass of whiskey.

Whoever’s there to work with, there aren’t enough of them.

Oh, there are a few brave souls. Mitt Romney. Liz Cheney.

Ohio’s Sen. Rob Portman showed his decency and embrace of honored values in a Wall Street Journal interview with sedate yet irrepressible Peggy Noonan. There’s a reason Portman and Arizona’s former Sen. Jeff Flake have cashed their chips. You can’t be a real Republican anymore; there’s no traction. A GOP strategist told Noonan it’s a good time to hang out on Fox being an asshole, but if you want to “get shit done” the Republican Party’s just not in the business anymore.

Looks like that “Gone fishin” sign is hung there permanent. God, please let me be wrong.

White out

A whiteout offers time to get in touch with oneself. All will heal, even the deck couch (you can see a corner of it lower right) will survive getting snowed on before its owner got it together to wrap it with twine and plastic. The grill is battened down though! All things considered, a snow blizzard is more blessing than curse. For damn sure I wasn’t going to slide around breaking my ass to get to work today! If I lack the PTO to make it a paid day, screw it.

January whiteout kept me from going to Walmart to work today. I still woke up predawn and did what I do in my office to gear up to the day, a day of leisure but squinting guilt ridden leisure such as I have made my own over the course of an adult life. Surrounded by conundrums and paradoxes I can never solve, ah what a relief to at least know this now. Perhaps we shall get another dog and I may pay down my karma by training it not to swallow metal or plastic objects that will rip open its stomach. Perhaps I shall find a place of rest then. But until that time I sit in my office I subscribe to three online newspapers: The New York Times, read an excellent travelogue some journalist traveled thousands of miles recording ghost town and wilderness America, Make America Great Again emblazoned from roadside ramshacklery (Kerouac rhythms on my mind, you see); The Washington Post, for its superb crisp reporting (they go a little shorter than the  sometimes windy Times) and bracing columnists; and, just to even out my nagging liberalism, and to catch the precise and potent Peggy Noonan, The Wall Street Journal, who tore Trump a new one bad as anyone after the Rape of the Capitol.

I’ve come from watching the first five installments of Long, Strange Trip, a very well done documentary about the Grateful Dead that’s on Amazon Prime and that includes, among other delights, testimonial from Deadhead nerd extraordinaire disgraced Minnesota Senator Al Franken who I wish would storm the politics stage again, he’s suffered enough.

White blanket we used to let the dog out she’d burst out there and do her business in the ghost land of no cars and a few hearty souls shoveling, come right back to shake off the snow but she loved the snow, I miss Rosa but we might be ready to get another one and this time I’ll take training seriously, even if doing that makes me miss her even more. Perhaps we’d better dismantle our little foyer shrine with its memorabilia and box of ashes commemorating what was the main source of material for this blog and whose removal constituted quite an obstacle to my writerly flow, aside from the anguished outpouring on Facebook that so many kind souls responded to. After that I sat stunned.

Come full around don’t care about much of anything. I write because I am a writer. That’s why I’m back in the chair of a morning, snow all round outside. About to go Joyce and utter the final words of “The Dead” but I’ll spare you. Snow is general all over Prescott, let’s leave it at that.

I don’t understand politics anymore, all wisdom eludes me. I hear the Q-Anon people murmuring in the break room about the insurrection that hasn’t given up yet, I stay out of it what’s the point, but those are the people who you have a problem with the stocking system or a customer, they’ll put down what they’re doing and give it their all to help you. I seem well liked, even by AA friend Patty who always chides me about the bags under my eyes and I got sensitive and cold-shouldered her a few days ago then had to hug her and admit I always was an oversensitive pussy. I love my Walmart friends. We suffer so hard, all working our underpaid asses off. I even like the pipsqueak gal who now has been given the power to run the joint. Walmart seems, customers and workers alike, rather a repository for what I regard as backward politics.  But you stay out of it and you wind up taking any of them over some snide liberal cynic any day. These haggard Walmarters’ cynicism is just ignorance, and mine is a life of spectacular ignorance in action so I should talk. You see I can’t hate as well as I used to. It just won’t work.

AA’s dropped out of the picture because I’d rather not take the chance on live meetings during the coronavirus pandemic and sometimes wonder why not pour some good whiskey over a tumbler of ice. But I’ve been living like this so long, a consummate bore, my worst drug indiscretions seem to involve caffeine and one ridiculous dalliance with dick pills I didn’t need but my doctor gave me after hearing me wonder aloud about the potential effects of blood pressure meds. Barb will figure out how we can get a vaccination sometime soon. That’s drugs I can use. I’ll die one day but hell, I’d like to stave the fucker off long as possible.

Trying to pave the way for a rich and self-educational retirement, I signed up for online Master Class and (though by mistake, thinking I was getting the other) The Great Courses. In the first I’m watching Martin Scorsese talk about every aspect of film making, I’ll never make a movie so why am I watching this? I am watching this because this man glows with the fire of art, and I’ve always idolized him. In queue behind this are Sedaris on humor writing and other stuff I picked for forgot what I picked. The Great Courses a little stodgier, teachers at lecterns pontificating to college kids on folding chairs, got a class where some Northwestern professor is talking about Russian literature, I’m watching that too, using it to better understand The Idiot, better than a third of the way through but come on. I used to think I was smart but I am crawling through this book, not the speedreading whiz kid I liked to think I was. Slow, but I’m rapt. A velociraptor within. (Word play. Refuge of the bankrupt literary tactician.) It’s snowing like a mother out there. Good thing I called out.

Chillin in the ‘hood of my mind

Woodrow Call & Augustus McCrae | Lonesome dove, Lonesome dove quotes, Hat  creek cattle company

Call and McCrae: great foils make great movies.

Trouble with retiring is the big question “And do what?”

That’s where I’m stuck. I have this blog, which some people read, and I send stories out to magazines and other publishers. I do have “hobbies,” which seems a lackluster word. My wife says I better get some before I think of retiring from Walmart.

It’s become an urgent topic of consideration, what with Social Security money, for the first time, about to cross our threshold.

Hobbies. Hobbies.

Hm. Let’s see …

I sit around on my free time and read what other people wrote. I finished Barack Obama’s memoir, A Promised Land, and was so impressed I wrote him a chummy letter.

Yeah I know. Dreaming myself into the company of great men.

One meets distinguished men in the common course of life.

Met one who majored in Russian and Slavic literature in college. We hit it off. He gave me a stack of Gogol, Chekhov, Tolstoy, Pushkin, Dostoyevsky, and some others, and at present I am enjoying The Idiot.

This is a source of encouragement for me.

The Idiot is about a very pure, sweet man, a sort of saint, a man without suspicion or rancor, who is regarded, perhaps because of epilepsy, as an idiot. An anecdote emerges from my private fund of Beat apocrypha. When Allen Ginsberg was committed to a mental hospital in the forties and met Carl Solomon, another patient, allusions to Dostoyevsky sounded between them. (Given a small paperback imprint by his father, Solomon would one day respond to Ginsberg’s publicizing push by printing Burroughs’s Junky.) Ginsberg said, by way of introduction, “I’m Prince Myshkin,” referring to the abovementioned saintly character; Solomon fired back he was Kirilov, from The Possessed. I remember Kirilov as a maniac up all night having drunk too much tea. That’s about all I remember from the book; I may not even have finished it. You need a table of characters at your fingertips what with so many of them, and use of first as well as last names, diminutives and formal.

Dostoyevsky’s bitter, terribly personal Notes from Underground is one of the books that shaped me, but I wavered in my respective slogs through Crime and Punishment and The Brothers Karamazov (the latter I recall as Lear only with sons instead of daughters). Perhaps I have always masqueraded rather than truly been a reader, a scholar. Working chest and triceps, or back and biceps, or legs and shoulders at Fitness for 10, then biding my time on my easy chair before the big screen, may be more my speed.

But with this new book, The Idiot, I just might succeed in finding a Dostoyevsky to at least balance off the one little book of his I already love, thereby burnishing my credentials as scholarly. Hate to run around calling myself a Dostoyevsky fan having taken to my heart but one little book of his.

I’m thinking of signing up for that Master Class they’re advertising online. David Sedaris teaches humor writing; Joyce Carol Oates, the short story; Scorsese, making film. I could tell Barb I was involved in something like that and she’d stop calling me unconnected to the world. She thinks I’m a hermit. Though we all are during this Covid lay-in.

What else do I do? I watch old movies I’ve already seen before. My wife chides me for that, too, just as my mother used to do.

I myself wonder why, after the riveting beginning and early action scenes of Black Hawk Down and that throbbing soundtrack, I don’t bail out when it becomes Tom Sizemore yelling at the top of his lungs into the ears of the other soldiers on that fateful day in Somalia, unable to hear anything above the shelling. It gets dinful.

How many times can I watch Lonesome Dove? But it’s that good. Augustus McCrae may be the greatest cowboy hero of all time, and I view this performance as the apex of Robert Duvall’s career. And there never was a more perfect foil than Tommy Lee Jones’s tightlipped Woodrow Call. Speaking of westerns, one reason I loved Brokeback Mountain was the perfect pairing of complementary characters as played by Jake Gyllenhaal and Heath Ledger. The corresponding literature of both these films – as with that template, To Kill a Mockingbird – more than does justice to the movies.

I recently watched, yet again, Master and Commander: The Far Side of the World, which a Facebook person in my orbit called, correctly, “criminally underappreciated.” Russell Crowe’s jaunty, impeccably militaristic Captain Jack Aubrey and Paul Bettany’s intellectual Irish-rebel ship’s doctor Stephen Maturin constitute another example of perfect foils.

In my retirement, indeed my dotage, I shall sit around contemplating my worth as an appreciator of the arts. How eclectic I am! The same man who loves Annie Hall loves Taxi Driver; the same man who loves “Here Comes the Sun” loves “Yer Blues.”

Come to that, did anybody but me feel Bon Jovi hit exactly the right note with his Inauguration performance of that George Harrison song? Happiness has been elusive. Watching Jon sing this sweet, magical testament to life’s way of rejuvenating itself was just what the doctor ordered.

But enough sitting on my ass in my writing chair. Better go to my reading chair and plow further into The Idiot.

Be an idiot not to.